This coming Friday night (June 11, 2010), I’m going to be running the opening night panel at EditFestNY enititled “The Lean Forward Moment” (try and guess where we got that title from) during which I’m going to be interviewing five great editors: Michael Berenbaum, A.C.E. (Sex and the City 1 and 2), Joe Klotz, A.C.E. (Precious, Junebug), Andrew Mondshein, A.C.E. (Remember Me, Chocolat, The Sixth Sense), Susan Morse, A.C.E. (Manhattan, Hannah and Her Sisters), and Andrew Weisblum, A.C.E. (Fantastic Mr. Fox, The Wrestler).
Now, here’s where you can get involved. First off, if you’re in the area, register for this two-day event. It’s going to be well worth your while and, honestly, with the discounts for students, or many user groups (both FCP and Avid) you’ll more than get your money’s worth — cocktails on Friday, pizza and beer on Saturday, along with some great panels.
But here’s another way that you can involved. I am going to ask each of the panelists to show a scene from a film that influenced that filmmakers, and then all six of us are going to talk about it. Here is a preview (the first look — never before announced) at what you’ll see if you’re there:
- Michael Berenbaum is showing the opening sequence from ONCE UPON A TIME IN THE WEST, directed by Sergio Leone and edited by Nino Baragli in
- Joe Klotz is showing an early scene from DOG DAY AFTERNOON, directed by Sidney Lumet and edited by Dede Allen in 1975
- Andy Mondshein is showing the last scene from BONNIE AND CLYDE, directed by Arthur Penn and edited by Dede Allen (again!! how fitting) in 1967,
- Sandy Morse is showing the opening of THE DIVING BELL AND THE BUTTERFLY, directed by Julian Schnabel and edited by Juliette Welfling in 2007,
- Andrew Weisblum is showing the “birth of the hula hoop” scene from THE HUDSUCKER PROXY, directed by Joel Coen and edited by Thom Noble in 1994.
Whether you’re going to be at EditFestNY or not, what I’d love for you to do is submit questions for these editors. I’ll select a few and ask them for you. What is it that you’d like to know about that scene or how it affected each of these editors. You can submit the questions here, or tweet them to me on Twitter. My name there is @schnittman.