Comments on: Real Collaboration – Editors and Directors, Editors and Editors http://normanhollyn.com/2009/08/21/real-collaboration-%e2%80%93-editors-and-directors-editors-and-editors/ Thoughts on media, technology, the film business and beyond Thu, 05 May 2011 03:49:21 +0000 hourly 1 http://wordpress.org/?v=3.0.4 By: Norman http://normanhollyn.com/2009/08/21/real-collaboration-%e2%80%93-editors-and-directors-editors-and-editors/comment-page-1/#comment-833 Norman Sat, 03 Apr 2010 17:38:34 +0000 http://normanhollyn.com/?p=651#comment-833 These are great points and I will continue to try and be specific, though laws generally prevent me from uploading content. As for HURT LOCKER, I'll try and get back to that when I'm finished with my two present projects. Thanks for the comments. These are great points and I will continue to try and be specific, though laws generally prevent me from uploading content.

As for HURT LOCKER, I’ll try and get back to that when I’m finished with my two present projects.

Thanks for the comments.

]]> By: Ben http://normanhollyn.com/2009/08/21/real-collaboration-%e2%80%93-editors-and-directors-editors-and-editors/comment-page-1/#comment-830 Ben Sat, 20 Mar 2010 17:57:05 +0000 http://normanhollyn.com/?p=651#comment-830 More! More! You're a teacher... So please, don't write about changes that opened up your mind, or your creative process,... without specifically pointing to examples! I know you the rough cut you did is not available as a quicktime (sigh), how did people export quicktimes on a Moviola? :) BUT - it would be FANTASTIC if you could give specific changes, or specific cuts that changed the way you saw the scene. Just one or 2 ideas. And same thing about the Hurt Locker. I adored it - and I can specifically say why. But Im not a USC professor, so whatever I can come up with won't be as good as what you will come up with. So pleeeease - could you give specific examples as to why Hurt Locker works so well? Thanks! More! More! You’re a teacher… So please, don’t write about changes that opened up your mind, or your creative process,… without specifically pointing to examples! I know you the rough cut you did is not available as a quicktime (sigh), how did people export quicktimes on a Moviola? :)
BUT – it would be FANTASTIC if you could give specific changes, or specific cuts that changed the way you saw the scene.
Just one or 2 ideas. And same thing about the Hurt Locker. I adored it – and I can specifically say why. But Im not a USC professor, so whatever I can come up with won’t be as good as what you will come up with.
So pleeeease – could you give specific examples as to why Hurt Locker works so well?
Thanks!

]]> By: The Editor - Collaboration and Why The Auteur Theory Is Bull | Film Industry Bloggers http://normanhollyn.com/2009/08/21/real-collaboration-%e2%80%93-editors-and-directors-editors-and-editors/comment-page-1/#comment-660 The Editor - Collaboration and Why The Auteur Theory Is Bull | Film Industry Bloggers Fri, 21 Aug 2009 21:00:29 +0000 http://normanhollyn.com/?p=651#comment-660 [...] an aside, on my other blog today (http://normanhollyn.com) I’m posting a piece about two times when collaborative editorial [...] [...] an aside, on my other blog today (http://normanhollyn.com) I’m posting a piece about two times when collaborative editorial [...]

]]> By: Collaboration and Why The Auteur Theory Is Bull | The Editor http://normanhollyn.com/2009/08/21/real-collaboration-%e2%80%93-editors-and-directors-editors-and-editors/comment-page-1/#comment-659 Collaboration and Why The Auteur Theory Is Bull | The Editor Fri, 21 Aug 2009 20:52:12 +0000 http://normanhollyn.com/?p=651#comment-659 [...] with people who don’t fill you up with artistic and/or emotional fulfillment.As an aside, on my other blog today (http://normanhollyn.com) I’m posting a piece about two times when collaborative editorial [...] [...] with people who don’t fill you up with artistic and/or emotional fulfillment.As an aside, on my other blog today (http://normanhollyn.com) I’m posting a piece about two times when collaborative editorial [...]

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