For the two or three of you who don’t know yet, Apple released its updates to its suite of video applications today. Final Cut Suite 3, has updates and new enhancements to nearly all of the parts of the suite, including some cool title manipulation tools in Motion, voice level matching in Soundtrack Pro (a boon to quick and easy temp mixing), cooler markers and more flavors of ProRes in Final Cut, and more. Some of the features, like a floating timecode window and global transitions, are attempts to catch up with Avid’s Media Composer which has had that for a very long time. (Apple’s list of new features can be found on this page on their website.)
That, by the way, is a great advantage of competition.
But it is in the aspects of ease-of-use and collaboration that Apple has shown that it is paying attention to what it’s core market really wants. Despite the high-end videos of Francis Coppola and Walter Murch on TETRO, Final Cut’s appeal has always been to people on the lower-priced end of the market — the students, the low-budge indies, the people putting together their own shops. The entire suite concept caters to them — if your market is made up of people who can’t afford to hire separate title designers and sound editors, then the idea of charging people separate amounts for separate applications is a non-starter. For the indie filmmakers and podcasters who are creating their own soundtracks and flushing them out to the web in record time, buying ProTools and Media Composer is just too expensive. Even if Soundtrack Pro is way inferior to ProTools, it just simply doesn’t matter to that market. Having everything in a box (with round-tripping between the apps) is The Way To Go.
I’ll talk about the coolest indicator in a minute, but let me also say that the ease of use factor is also huge for this market. If I’m doing my own lower thirds, and I’m not a visual effects guru like Mark Christiansen, then I want easy-to-use templates that provide me with a great default setting. I’ll change the look and feel if I want, but the fact that I don’t need to program in a motion effect, with a glow, and time everything out from scratch, means that I can get things done much more efficiently (even at the expense of greater individuality).
So, starting with something much higher than Ground Zero, appeals to many of the filmmakers that Apple is targeting as their market.
But here’s the cooler thing for me.
As many of you know, I’ve been harping on the idea of long distance collaboration for several years. It’s clear that more and more of us are working with people who we don’t see every day. Two years ago, I co-edited a small horror film called JACK IN THE BOX. It’s director and my co-editor were both on the East Coast, while I sat in Los Angeles editing. We exchanged files and projects via the net. It was a successful collaboration, but a bit frustrating because of the lack of face-to-face contact. This month I’m starting a new film where the director will be in Rhode Island, my co-editor in Massachusetts and me — still in California.
My point is that this is becoming more of the norm, rather than a rare instance. Commercials, corporate films, sponsored videos, and more, are fast being done by the People Who You Want To Hire, even if they’re in another city. But the tools just aren’t there yet to help re-create the face-to-face experience. We’ll be experimenting with some newer techniques on this one and I’ll report back, but the struggle is always to help all of us to feel like we’re in the same room.
Now Apple has introduced iChat Theatre, which allows the editor to play back his or her timeline right over iChat. If I read the tutorials properly, you no longer need to create a Quicktime export and then upload/FTP it. In fact, you no longer even need to create a Quicktime at all. This feature of Final Cut allows others on the iChat to look directly into a Viewer (or Canvas) on the editor’s machine. That’s it.
Now, it doesn’t have the real interactivity that I’d love — to have my iChat buddy be able to use his or her mouse to stop and scroll the cursor around on the timeline (like Syncvue, for instance, does), and I don’t know if you can have more than two people on the iChat, but you can video chat with each other while you’re scrolling around. Mike Curtis says that you can show the timecode window as well, and that will be great for more precise discussion. But you certainly can’t take a mouse or Wacom tablet pen, and circle items on the screen (which would be handy for discussion visual effects) like you can on some services. It would also be cool if you could attach comments/markers to particular places on the timeline — so you could easily accumulate notes. But, using a screen grab tool like Snapz Pro X, you could record a notes session for later playback.
Very cool. Since one of the biggest issues in distance collaboration (as well as in any notes meeting, now that I think about it) is misinterpretation of notes.
My point, however, is that Apple has once again identified a growing need in their core market. Many of us working in lower budget ranges need to work with people across great distances. They haven’t given us any real groundbreaking tools to do that, but it is clear that they are thinking about it, and slowly introducing early versions of the tools that we will all need very very soon. These tools are very basic, and don’t really do much more than take ideas that have been floating around elsewhere for a while, and bring them into the suite. But the real takeaway here, is that they’ve now brought these things into their own tool and made them easy to use and integrate with their other tools. And that is going to be very appealing to this market.
Another aspect to this distance collaboration is their Easy Export feature which, on first glance, looks like an easy way to upload to YouTube, MobileMe and more (including BluRay — cool; direct export to DVDs from the timeline).
Oh, and one final point. They’ve made both the price of the suite and the upgrade price incredibly low. The upgrade for someone who already has a purchased copy is $299. That means that they are essentially telling the community that they’ve be idiotic not to upgrade. No one who has the money to make a video project of any kind, doesn’t have $300. (The full price, for those people who don’t have access to an educational discount or their own copy already, is $999.). Once again, Apple is saying to the indie and low budget community — this is for you.
Now it’s time for Avid and Adobe to decide if this is a market that each of them want, and then go for it.
By the way, some other bloggers are beginning to post their own thoughts on this. Steve Cohen, over at Splice Here, is one of them. Richard Harrington, at the Pro Video Coalition, and Mike Curtis are two others who you should check out.